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Little is known about Clare Waight Keller, this discreet and determined English designer. The woman who brilliantly took up all the challenges that were offered to her for three years, when she was head of the artistic direction of Givenchy, made her departure from the French label official on social networks.
Yesterday, Friday, on her Instagram account, as a caption to a black and white photo of her in the Haute Couture house’s studio: “(…) As the first woman to become artistic director of this legendary house, I feel honoured to have been given the opportunity to cherish her legacy and to have brought new life to it.”.
Surprisingly, this sums up the last three years of the British designer’s career, who, after having beaten all predictions by becoming artistic director of the Givenchy house in March 2017, has taken up haute couture with unexpected talent.
The designer then bluffed the world by signing the wedding dress Meghan Markle wore at Windsor Abbey in May 2018.
And, last but not least, in 2019, in the gardens of Villa Palmieri in the hills above Florence (Italy), she unveiled a memorable first men’s show of her career for the Parisian label, guest of honour at the Pitti Uomo show.
In short, it was a lot of firsts in a short time for the woman who came to light in her early fifties https://sverige-ed.com. A rare occurrence in the fashion world, where youthfulness never ceases to rage.
Her beginnings with Calvin Klein
Her official biography begins with his date and place of birth: 19 August 1970 in Birmingham.
And she claims that time is her best ally moje vysvětlení. “Unlike many designers who started very young with a remarkable collection, my career has been longer. Because I enjoy observing, discovering and learning from the people I work for as well as those around me. Each house is different, with particular values, products, techniques, patterns that I have stored up and that now guide me, not one more than the other, but all together“. she confided in an interview with Le Figaro in 2019.
Clare Waight Keller’s long curriculum vitae began with Calvin Klein at the height of his minimalist style in the early 1990s, followed by a stint with Ralph Lauren, where she learned men’s fashion.
Prior to that, she spent four years with Tom Ford at Gucci in Italy.
In 2005, she stepped out of the shadows to become the artistic director of Pringle of Scotland, and then of the House of Chloé from 2011 to 2017. But the document does not mention a previous experience, perhaps the most decisive one. An early apprenticeship which, after instilling in her a sense of precision, guided her towards in-depth fashion studies. The mentor is her mother, a sewing fan, who attends each of her fashion shows with a critical eye brasil-libido.com.
Her childhood in her mother’s workshop
“She’s an enthusiast, a perfectionist,” joked Clare, invoking her mother. I’ve always seen her sewing. Her fabric coupons, her machine, her spools of thread and needles spread out on the dining room table, that’s my whole childhood, I could almost say I grew up in a workshop! At the time, I only saw the immediate interest – she made my clothes for me – but I was already integrating the basics of the craft: the different fabrics, the variable fallings according to the cut and the assembly and, also, how difficult it is to stitch straight slovenska-lekaren.com/ osterreichische-apotheke.com. When I was 8 or 9 years old, she gave me her place to make a cushion for my bedroom and started with straight seams… She was behind me, telling me: “Don’t press the pedal too hard.” Just like any parent who gives the wheel of their car to their child for the first time. “, she confided to Le Figaro.
In London in the late 1980s, the young woman spent three years at the Ravensbourne College of Art and Design in London. Before turning back the clock on the creative process, she completed her training with a stint at the Royal College of Art, where she learned how to compose fabrics, particularly knitwear, which allows her to design shapes from yarn (as opposed to warp and weft, which usually ends up woven in the hands of designers). “I loved creating volumes, imagining a silhouette from filaments. Thanks to these years, I’m quite comfortable with soft, moving and spontaneous materials, which are less controlled, and which lend themselves to haute couture.”
This exercise in haute couture, the holy grail of many designers, which she has restored at Givenchy with silhouettes that are both sober and remarkable.
Ricardo Tisci: the breakthrough
In June 2019, in Florence, his proposal for the summer of 2020 balanced more between a Savile Row tailoring spirit and volumes, cuts and materials borrowed from active sports. However, it was still far from the aesthetic of his predecessor, Riccardo Tisci, in office from 2005 to 2017, who had given the label a very streetwear feel.
And had dressed such contemporary figures as Kanye West and Jay-Z. Internally, we’re also at the antipodes of the Italian’s working methods. After 7 p.m., the very composed Clare Waight Keller would text her employees before calling them, to make sure she wouldn’t bother them. And then she went straight to the point, concentrating on her duties for three days in Paris.
According to the designer, a life outside of work is necessary in her job, which consumes a lot of energy and passion.
The rest of the week, until now, she reserved it for her husband and three children living in London, a ritual essential to her balance, contributing greatly to her need to know how to take breaks, make time for herself, recharge her batteries outside, especially with her family.
Although the haute couture collections signed by the British woman have been applauded many times, her ready-to-wear has never found its place in the boutiques. Yet she spoke of her meeting with Hubert de Givenchy, who was still alive at the time of her appointment, not without admiration… She had also scored points by befriending Meghan Markle, from whom she had received the British ready-to-wear designer of the year award at the London Fashion Awards, a few months after the success of her dress at her wedding to Prince Harry. But the possibility of a divorce between Givenchy and Clara was already in the air at last Fashion Week. Her final show took place on March 1st in a climate weighed down by the spread of Covid-19.
Read also > Coronavirus : Ferrari cancels car production until further notice
Featured photo : © Courtesy of Givenchy[/vc_column_text][/vc_column][/vc_row][vc_row njt-role=”not-logged-in”][vc_column][vc_column_text]
Little is known about Clare Waight Keller, this discreet and determined English designer. The woman who brilliantly took up all the challenges that were offered to her for three years, when she was head of the artistic direction of Givenchy, made her departure from the French label official on social networks.
Yesterday, Friday, on her Instagram account, as a caption to a black and white photo of her in the Haute Couture house’s studio: “(…) As the first woman to become artistic director of this legendary house, I feel honoured to have been given the opportunity to cherish her legacy and to have brought new life to it.”.
Surprisingly, this sums up the last three years of the British designer’s career, who, after having beaten all predictions by becoming artistic director of the Givenchy house in March 2017, has taken up haute couture with unexpected talent.
The designer then bluffed the world by signing the wedding dress Meghan Markle wore at Windsor Abbey in May 2018.[/vc_column_text][vc_cta h2=”This article is for subscribers only.” h2_font_container=”font_size:16″ h2_use_theme_fonts=”yes” h4=”Subscribe now!” h4_font_container=”font_size:32|line_height:bas” h4_use_theme_fonts=”yes” txt_align=”center” color=”black” add_button=”right” btn_title=”I SUBSCRIBE!” btn_color=”danger” btn_size=”lg” btn_align=”center” use_custom_fonts_h2=”true” use_custom_fonts_h4=”true” btn_button_block=”true” btn_custom_onclick=”true”]Unlimited access to all the articles and live a new reading experience, preview contents, exclusive newsletters…
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Little is known about Clare Waight Keller, this discreet and determined English designer. The woman who brilliantly took up all the challenges that were offered to her for three years, when she was head of the artistic direction of Givenchy, made her departure from the French label official on social networks.
Yesterday, Friday, on her Instagram account, as a caption to a black and white photo of her in the Haute Couture house’s studio: “(…) As the first woman to become artistic director of this legendary house, I feel honoured to have been given the opportunity to cherish her legacy and to have brought new life to it.”.
Surprisingly, this sums up the last three years of the British designer’s career, who, after having beaten all predictions by becoming artistic director of the Givenchy house in March 2017, has taken up haute couture with unexpected talent.
The designer then bluffed the world by signing the wedding dress Meghan Markle wore at Windsor Abbey in May 2018.[/vc_column_text][vc_cta h2=”This article is for subscribers only.” h2_font_container=”font_size:16″ h2_use_theme_fonts=”yes” h4=”Subscribe now!” h4_font_container=”font_size:32|line_height:bas” h4_use_theme_fonts=”yes” txt_align=”center” color=”black” add_button=”right” btn_title=”I SUBSCRIBE!” btn_color=”danger” btn_size=”lg” btn_align=”center” use_custom_fonts_h2=”true” use_custom_fonts_h4=”true” btn_button_block=”true” btn_custom_onclick=”true”]Unlimited access to all the articles and live a new reading experience, preview contents, exclusive newsletters…
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